The Art of Bonsai - Replicating Nature’s Beauty

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The Art of Bonsai - Replicating Nature’s Beauty

Monday, September 7th, 2009    Subscribe To Our Feed

Many years back, there was some great genius who was very impressionable, artistic and obviously moved by the great beauty and loveliness of nature. Within the first flush of this feeling, the idea must have come into his mind to copy some of the beauties of nature, in miniature, in containers- in other words, to create the art of bonsai, or dwarfed potted plants.

The oldest authentic record of bonsai is pictures of dwarfed trees and herbaceous plants in containers in a noted scroll written in 1310. Through the long eras of the civil wars in Japan the cults of nature-bonsai, flower arrangement, and tea ceremony became deep-rooted in average men and great heroes alike.

Then came the Tokugawa Era. Turning the leaves of old Japanese gardening books published in the seventeenth and eighteenth centuries, I often came across illustrations and descriptions of bonsai. From these I am convinced that the people of that time were very skillful in dwarfing and training plants and that they had a great desire to find new kinds of plants that could be dwarfed successfully.

When the graft unions are completed, all the branches of Sawara cypress are to be cut off and the whole tree converted into a different tree.

These are not childish attempts or vague ideas but are the products of long years of an age of military ascendancy, when every profession was hereditary- the time called the Tokugawa Era. In those wonderful long peaceful years, the Japanese people were accustomed to escape from daily life into something that interested them; they devoted their leisure time to things that freed them from the restraint of social life; they entered into friendly rivalry with their fellow fanciers or tried to surprise them in some way.

When amateurs have their enthusiasm aroused, they are always without regard for the gain or loss involved; that attitude greatly advanced bonsai.

Professional men have been interested only in seizing the cream of the amateurs’ discoveries in ideas and in materials. Therefore I praise the amateur bonsai fancier. In Japan there are nearly as many amateurs as bonsai trees. Example of an Amateur

As an example of an enthusiastic amateur bonsai fancier, I will tell you of a Mr. Watanabe of the city of Takamatsu, a place noted for bonsai and cage-bird fanciers.

Mr. Watanabe is a salaried man, past middle age. Since the time in his youth when he worked in the Takamatsu post office, he had been enthusiastic about bonsai as a hobby and had built up a varied and interesting collection. Gradually, relieving him from self-abandonment, his enthusiasm for bonsai revived and crept back into him.

Learning how to grow bonsai is a great way to relax and get in touch with the beauty of nature. Japanese find it peaceful and a creative way to release self expression. Good luck with your bonsai interest.

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